A.R. Rahman’s two greatest songs

A.R. Rahman’s most under rated songs are perhaps his most artistic, in the honesty of their vision and expression. It’s as if he is straining at the leashes of mainstream film music, and trying to leave behind some imprints of true artistic genius that people may well realize only years after his ‘hits’ have become pale in the collective consciousness. It’s like he is leaving behind some aspects of his legacy, only for future enjoyment. Here are two of his greatest songs in my opinion:

Do Kadam, from Meenaxi.

It’s’ really a song about inviting life on a journey – or even the body and spirit urging each other to move towards a final destination or consummation, at a magical place full of mystery, beauty and fulfillment. And the last verse (Koun rehta hain sada? chalke dekhen to zara) is possibly the most philosophical question a hindi film lyric has ever asked, though I’m not about whether that was intentional.

Rehna Tu, from Delhi 6

I imagine a melancholic man walking alone through the streets of a city at midnight, lost in his own thoughts, while explaining his spiritual position on love to no one in particular except the night itself.

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Filed under Music, Mystic

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